El Xmedia Recode puede recortar vídeos WMV (al menos los que yo he probado). Sólo hay que seleccionar WMV en la pestaña formato para luego poder elegir el modo "Copia" en la pestaña vídeo.
Esta sección te permite ver todos los mensajes escritos por este usuario. Ten en cuenta que sólo puedes ver los mensajes escritos en zonas a las que tienes acceso en este momento.
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Gigabit network connections at full bandwidth when used with a USB 3.0 host connection and cable; speeds are limited by USB 2.0 bus or USB 2.0 cable.
CitarResoluciones soportadas: 640x480, 800x600, 1024x768, 1280x720, 1280x768, 1280x800, 1280x1024, 1360x768, 1440x900, 1680x1050, 1920x1080
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http://forums.creativecow.net/thread/24/895836
well, there is another quick way:
1) select all the pics on the timeline
2) make sure EDIT DETAILS is visible (View menu)
3) all pics will be visible in Edit Details, Highlight the LENGTH property from the top to the bottom, i.e. of all the pics
4) type a number e.g. 4.00
5) press ENTER
done
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http://alvaroyus.com/es/2011/12/29/nikon-d7000-video-tricks-color-space-srgb-vs-adobergb/
In almost all cases of 8 bit video, AdobeRGB is the *wrong* color space to use, because it is a larger color space and you are recording into a compressed 8 bit container, Using Adobe RGB will result in larger color errors (delta E errors).
If you are targeting Rec709 (the standard for HD), then sRGB is the most appropriate colorspace, as the sRGB p[rimaries match those of Rec709 (the gamma curve is different however).
Unless you have a wide gamut monitor, your monitor space is going to be sRGB (if you are using an HD monitor via HDMI it is more likely Rec709). In either case it is NOT Adobe RGB – and if you don;t have a wide gamut monitor, you can't even see Adobe RGB*.
Depending on the video editing application you are using you may or may not be working in a color managed workspace, in which case you are most likely working in the "assumed' work space of Rec 709.
Putting Adobe RGB into a Rec709 space without converting is "incorrect". If you *were* using a correct color workflow, both the Adobe RGB and the sRGB would look the same perceptually (except that some highly saturated will clip in sRGB before they clip in Adobe RGB).
Assuming you are working in a Rec709 colorspace in your video editing application, then sRGB is the best color space for 8 bit recording.
You may find that reducing contrast while recording in sRGB will give you the greatest flexibility in post color processing.
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the 550d shoots video in sRGB only. Look at the 550d manual page 211.