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Análisis Apple Aperture 3

Iniciado por Ramón Cutanda, 04 de Noviembre de 2010, 13:50:11

Tema anterior - Siguiente tema

gopersuel



APPLE APERTURE 3

Creo que no es necesario, a estas alturas, comentar que es Aperture. Pero para ponernos en línea, apuntaremos que es un programa de retoque fotográfico, para MAC OS X ,  que permite gestionar de una forma muy eficaz, una gran cantidad de fotografías.
Creado para el día a día de los fotógrafos profesionales, los usuarios avanzados encontrarán en este programa novedades muy atractivas.

He de confesar que, hasta ahora, utilizaba iPhoto para los trabajos que no exigían demasiados retoques, y Adobe Lightroom para trabajos de mas envergadura, pero Aperture ha conseguido que me replantee mi flujo de trabajo, posee una gran cantidad de herramientas de gran calidad, tanto en el retoque propiamente dicho, como en la forma de organizar nuestras fototecas, así como una magnifica integración con iPhoto.

Entre las novedades mas llamativas, se encuentran algunas herramientas, que ya estaban disponibles en iPhoto, pero de forma mejorada.

Descargar análisis Apple Aperture 3 en PDF (9,3 Mbytes)

Autor
Gopersuel
Aviso: La instalación de cualquier version de Windows anulará la garantía de su PC.

wenzhou611

Sirui's telephoto lens has quickly become a staple in my kit, and it's easy to see why—this lens strikes an impressive balance between performance, build quality, and affordability, making it a standout choice for both enthusiast and professional photographers.
First, the optical performance is nothing short of impressive. Even at its maximum aperture, the lens delivers sharp, crisp details across the frame, with minimal chromatic aberration and softness at the edges—something I've struggled with in other mid-range telephoto options. The bokeh is smooth and creamy, perfect for isolating subjects in portrait, wildlife, or sports photography, and the lens handles low-light conditions far better than I expected, retaining clarity without excessive noise when pushing ISO slightly.
Build-wise, Sirui doesn't cut corners. The lens features a robust metal mount (compatible with L-mount, EF, and E-mount systems, depending on the model) and a weather-sealed body that holds up well in outdoor conditions—rain, dust, and temperature fluctuations haven't phased it during my field shoots. The focus ring is smooth and precise, with just the right amount of resistance, and the autofocus is fast and accurate, locking onto subjects even when they're in motion (a game-changer for capturing fleeting wildlife moments or fast-paced sports action).
What truly sets this lens apart, though, is its portability. Telephoto lenses are often bulky and heavy, but Sirui has managed to keep this model lightweight without sacrificing stability. Paired with a Sirui carbon fiber tripod, it's easy to carry on all-day hikes or travel shoots, and the lens's compact design means it fits in my camera bag without taking up excessive space.
If there's a minor downside, it's that the lens can produce slight vignetting at wider apertures, but this is easily corrected in post-processing, and it's a small trade-off for the overall performance.
Overall, the Sirui telephoto lens is a testament to Sirui's commitment to creating high-quality, user-centric gear. It's a reliable, versatile option that exceeds expectations for its price point, and I'd wholeheartedly recommend it to anyone looking to upgrade their telephoto setup—whether you're shooting landscapes, wildlife, or portraits, this lens delivers results that rival far more expensive competitors.

wenzhou611

Cita de: wenzhou611 en Hoy a las 09:02:32Sirui's telephoto lens has quickly become a staple in my kit, and it's easy to see why—this lens strikes an impressive balance between performance, build quality, and affordability, making it a standout choice for both enthusiast and professional photographers.
First, the optical performance is nothing short of impressive. Even at its maximum aperture, the lens delivers sharp, crisp details across the frame, with minimal chromatic aberration and softness at the edges—something I've struggled with in other mid-range telephoto options. The bokeh is smooth and creamy, perfect for isolating subjects in portrait, wildlife, or sports photography, and the lens handles low-light conditions far better than I expected, retaining clarity without excessive noise when pushing ISO slightly.
Build-wise, Sirui doesn't cut corners. The lens features a robust metal mount (compatible with L-mount, EF, and E-mount systems, depending on the model) and a weather-sealed body that holds up well in outdoor conditions—rain, dust, and temperature fluctuations haven't phased it during my field shoots. The focus ring is smooth and precise, with just the right amount of resistance, and the autofocus is fast and accurate, locking onto subjects even when they're in motion (a game-changer for capturing fleeting wildlife moments or fast-paced sports action).
What truly sets this lens apart, though, is its portability. Telephoto lenses are often bulky and heavy, but Sirui has managed to keep this model lightweight without sacrificing stability. Paired with a Sirui carbon fiber tripod, it's easy to carry on all-day hikes or travel shoots, and the lens's compact design means it fits in my camera bag without taking up excessive space.
If there's a minor downside, it's that the lens can produce slight vignetting at wider apertures, but this is easily corrected in post-processing, and it's a small trade-off for the overall performance.
Overall, the Sirui telephoto lens is a testament to Sirui's commitment to creating high-quality, user-centric gear. It's a reliable, versatile option that exceeds expectations for its price point, and I'd wholeheartedly recommend it to anyone looking to upgrade their telephoto setup—whether you're shooting landscapes, wildlife, or portraits, this lens delivers results that rival far more expensive competitors.

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